Happy HalloWEGO!

Set 1 (79 megs)
Set 2 (68 megs)

Here are the recordings of the Woodland Experimental Groove Orchestra at my fine friend Rusty's Halloween party. Rusty always throws a great party -- mingling groups of friends from diverse parts of his historical and current life -- and this was no exception! Rusty and his roommates Kim, Kyle, and John boldly opened their space at 8pm, and the costumed crowd of (I'm guessing) about a hundred people came and went until well into the morning of Halloween. Meanwhile, WEGO set up in the upstairs living room and played two roughly-hour-plus sets between 9pm and midnight. The Orchestra for the evening consisted of Woody Frank (guitar and voice), Jenny Freeling (occasional djembe during the second set I think), Dennis Jolin (uke, mandolin, and timbales), Ian McKagen (guitar and voice), Jesse Silvertrees (djembe and voice), and Me Woods (keys, misc, and voice).

This was a huge loose sprawling show with some high points and plenty of rough patches. I'm tempted to try to condense these recordings down to the most appealing sections, but I'm pretty busy on my commutes at the moment, and I'm afraid that the sonic quality of the mix (balance, clipping, etc…) just doesn't warrant the effort.

There were a couple of key problems that -- at least in my mind -- made it tough for this show to ever get off the ground musically (if this is your first visit here, or your first listen to WEGO, I'd recommend skipping down to one of the previous show-entries). First, the mix was way out of balance where I was. I can't speak for what anybody else heard that night, but where I was it sounded about like it does on the recording, but ear-splittingly loud. (Actually, the recording is also improved a bit with some EQ and compression, but you get the idea.) I tried a slightly different approach to the keyboard-amplification for this show, running it direct through the board to the stereo vocal-spearkers and using my bass amp as an extra low-frequency amplifier for the whole PA. However, even with a PA speaker aimed directly at me, I couldn't hear the treble (right hand) half of my keyboard unless almost everyone else had stopped playing. Furthermore, since I was the only one with the vocal mic, we chose an uncomfortable split between a range that would keep up with the guitar and timbales and one where the open-air vocalists could be heard a bit. The result was a treble-heavy din, leveled just under mandatory ear-plug volume, requiring any vocals besides my own to be shouted at the top of one's lungs (some impressive use of this style in places here, but of course, you only get so much range with this approach). Jesse didn't show up until about a half hour after we started and I forgot to put on my leg-shakers until only a few minutes before that, so of course it was difficult to resist over-playing to fill in the rhythm. For whatever reason (maybe to draw attention away from the mix…?) we also sang a bit more than usual and so we had to start repeating Lyrical Standards. Though really, is there a limit to the number of ways that you can sing the theme from Cheers? I think not. Still, we'll probably still want to get a few more in the hopper for longer shows like this.

In spite of all of that and within the confines of what was possible, the playing is really solid from everyone. There are some cool sections in the middle of the second set where we really surrender to the limitations and it breaks down into a full-blown percussion-jam. And near the end of the night, there's a weirdly fun section where a guy wearing a really long fake-beard (I assume it was fake! … or perhaps he's of muppet descent) got ahold of one of the mics and started gently and musically exhorting the crowd to take off their pants and "put some honey on". Another nice thing: the police didn't show up until right *after* we'd finished playing.

So, overall: not really up to the potential for warm dynamic multilayered groove that the group usually manifests, but perhaps a bit like a best-case drunken party jam. And at several points during the night, a thin line of costumed freaks materialized in the narrow space between us and the couch, grinning and dancing hypnotically to the lurching grooves … mission accomplished!! :))

Special thanks to Rusty, Kim, Kyle, and John for puttin' this thing on! (Feel free to share your own memories here below in the comments.)

WEGO: Folklife Demo

Clip 1 (Crazy Train --> Billy Jean) 18megs
Clip 2 (Safety Dance --> Beyonce) 18megs
Clip 3 (Djiln in Seven) 0.5 megs
Clip 4 (Blue Sugar) 13 megs
Clip 5 (2 of 8 to 2 of 4) 4 megs

Here's the majority of an October 19th acoustic session with Woody Frank (guitar and voice), Dennis Jolin (mandolin, ukelele, etc…), Ian McKagen (guitar and voice), Jesse Silvertrees (piano, djembe, and voice) and Me Woods (bassbox and voice). (Everybody played some percussion at one point or another too.)

I tuned the bassbox up to EADG (from its usual C#F#BE), which definitely seemed to improve its responsiveness and dynamic range while cutting out some of the clickety string-flopping. While this was all captured open-air direct to stereo, we spent a bit of time trying to place the mics for a good mix and the results are quite nice. Couple that with the increased delicacy of the acoustic format and some extra strong vocal-interaction, and I think this might be one of my favorite WEGO recordings yet!

Use the track titles as a quick guide to the Lyrical Standards covered. The highlight of the evening has to be clip 2's sea-shanty version of Beyonce!  (If anything else stands out for you, call it out below in the comments.)

WEGO: Return to the Gypsy Cafe!

Jesse's Opening Set (41 megs)
WEGO Set 1 (56 megs)
WEGO Set 2 (55 megs)

Here are both sets from last Saturday's Woodland Experimental Groove Orchestra show at the Gypsy Cafe, featuring the first public additions of Woody Frank and Ian McKagen (both on guitar and vocals), and the second-set addition of Jenny Freeling on djembe. (Also in the Orchestra for the evening were Dennis Jolin (guitar and keys), Jesse Silvertrees (djembe, keys, and voice), and Me Woods (keyboard-bass, miscellaneous, and voice).

Jesse's stellar homoerotic baths-of-Star-Trek themed invite eventually went out to something like 400 people and set a wild-but-sensual mood for the sizeable crowd that responded. The show opened at around 9:30 with a fantastic 35-minute solo set of piano and voice by Jesse himself (first link above). WEGO went on a little after 10pm, and managed to stuff in two 45-minute sets before midnight.

It may not have been our tightest or "groovinest" show yet, but 4-part cycling vocals and a densely interlocked guitar-heavy sound drove us to new levels of energy and abandon. Chaotic, sprawling versions of everything from Def Leppard to Beyonce collapsed into and returned from psychedelic free-space as the revelers shouted and filled the Gypsy Cafe with bubbles and the crackle of bubble-wrap. I even saw a couple of people dancing! At a coffee house!! Mission accomplished. :))

Oh yeah, one other thing: In addition to his guitar, Dennis set up a keyboard that he'd never brought out before. He had carefully selected some weights to lock down various keys to create adjustable droning chords. At the time, I was in a really noisy spot in the mix, so I didn't notice it consciously, but I'm looking forward to a second listen to see what he ended up doing with the rig!

And finally, whether you were there at the time or are just listening to the downloaded sets at home or on the road, I'd like to invite you to call out your own highlights and/or add any other thoughts in the comments below.

(Bubbles in the image above from a photo I found on Flickr by Glenn Loos-Austin ... and adapted under the terms of a Creative Commons license 2.0 )

WEGO at the Shipwreck

Set 1 (39 megs)
Set 2 (68 megs)

Here are the recordings from the (2nd ever!) Woodland Experimental Groove Orchestra show at the Shipwreck Tavern in West Seattle. The Quartorchestra for the evening consisted of TQ Berg (guitar and voice), Dennis Jolin (guitar and voice), Jesse Silvertrees (djembe and voice), and Me Woods (keyboard-bass, keys (first performance with the new soft-synth rig) occasional percussion and voice).

It was my turn to do the opening set for this one, so I did my usual Guitar-and-Voice-with-shakers thing (a short 6-song set of originals, including an arrangement of my latest long-distance-collaboration with 5-track, "Under the Tent"). After that, it was two sets of WEGO.

The first set was fairly traditional WEGO -- well realized as I recall … with inspired mid-tempo grooves and a suite of our core lyrical standards.

The second set was just a touch more open, with a few less changes (longer sections of modal jamming), more odd-time overlapping measures, and even a 20-ish-minute section where I was working from a short sheet of clever lyrical inspirations provided by a lady we'd never seen before (thanks for those!).

All in all, it was a great high-energy night (thanks to everyone who made the trip to see us!), which really re-affirmed the power of the format for me and seemed to kick up the momentum looking ahead to October's Gypsy show.

(Finally, whether you were in the group that night, listening from the house, or just grabbing the recordings over the net, please add your thoughts/highlights/etc… in the comments below!)

Keyboard Circle

Clip 1 (22 megs)

Here is the first half of our Sept 1st WEGO rehearsal with Jesse and me and two brand new recruits: Jenny Freeling (on Djembe) and Aaron Sarnat (Piano and percussion) ... both fantastic contributors who I hope will join us again! Nothing but hand-drums and keyboards this time. Damn hippies and their keyboards!! I've edited around a bit of the obvious learning and reviewing here, but even with half the group consisting of brand-new players, the evening was chock-full of sensitive counterpoint and inspired wackiness, and so the remaining material is quite good.

Nevertheless, if you're tight on time, the clear highlight so far is the last 4 minutes of Clip 1 (starting at the 14-minute mark) : "Piggy Toe".

(more soon!)

WEGO First Ever Public Performance! (Gypsy Cafe)

Set 1 (53 megs)
Set 2 (71 megs)

Thanks to everyone who came out to the first 'Woodland Experimental Groove Orchestra' show!! In spite of the fantastic weather, a few of our core members being unavailable for the date, and the unfortunate coincidence with the 'Tool' show at Key arena, we managed to mostly fill the Gypsy Cafe with generous listeners. (This was my first ever show at the Gypsy. Man, what a sweet space! Feels great, sounds great. I really hope they'll have us back again.)

All in all, it was a super-solid, and occasionally awesome first-show for the project, featuring a well-seasoned quintet of Michael Chapman (horns, percussion, and vocals), Dennis Jolin (ukelele and vocals), Abraham Neuwelt (electric and acoustic percussion and vocals), Jesse Silvertrees (djembe, keyboards, and vocals), and Me Woods (keyboard-bass, treble, and vocals).  The 'Lyrical Standards' were hitting pretty hard throughout, including a first-ever version of a rather-well-known song by Queen.  In talking with friends at set-break and closing, I was psyched that long-time listeners seemed to genuinely appreciate both the sound and the concept, and felt that the group already showed great potential beyond some of my previous all-improv experiments. I fully agree! And the fact that most everybody in the group is actually offering constructive criticism and helping plot our next-steps makes it feel like we might be onto something good here.

Check out the recordings and let me know what you think!

(Photo stolen from Dennis' FB page -- which explains why he's not in it … another friend was taking photos as well, so I'll probably post a couple of those when I can get them.)

******

Update (August 29th) ... finally found the other photos from David and Naoko in my inbox!  (...still no sign of Dennis, but some closer looks at Abraham and Michael here)

WEGO Rehearsal #7

June 30th Set 1 (64 megs)
June 30th Set 2 (33 megs)

Here are the recordings from our last get-together (on June 30th) before our first show (at the Gypsy Cafe on July 10th). The lineup for this recording is Chapman, Jolin, Kristmann, Silvertrees, and Woods.

There are a couple of slow patches near the top here, so I've done a tiny bit of pruning right at the beginning of the first set -- removing a tad of the opening build-up and the first half of Crazy Train (which, with the exception of the remaining chorus, is better represented in our earlier recordings). I did, however, decide to leave in the brief call from Tina right after we started up. The background banter, which I hardly noticed at the time, cracked me up on first playback. Beyond that, and some solid versions of several of our established lyrical standards, this rehearsal also features our first ever "Light My Fire" (lifted from the radio on my way over), and our first inclusion of the 7/4 motif in Tom Sawyer.