Neon Brown Presents: "Woodland Acoustic Orchestra" (Feb '09)!

Set 1 47 megs

Set 2 32 megs

(+ Bonus Timelapse Movie of the second set 4.7 megs)

February 25th started with a trio of me and two guys I'd never played with before: Noah Adler (Mandolin) and Aaron Stepp (Fretless Electric Bass). The funny thing is that it wasn't the first NBP for either of them! Both Noah and Aaron made their debut at the previous month's acoustic-orchestra night, during the first week of my new baby daughter Lucy's life -- when even dragging an acoustic guitar to the Chai House was still sounding a little ambitious and off-topic...though if it had been a week later, I would've loved to have brought her out to just sit on the couch and drool to the grooves. (I believe that unrecorded evening was a quartet of John Beezer (Guitar) -- in his last NBP before his move to New York City -- Dennis Jolin (Nylon String Acoustic through Wah), and Aaron and Noah...supposedly, it was very mellow and trance-like that evening, and -- I'd guess from my more recent jam with them -- awesome.)

But back to the February: What a great trio it turned out to be!! 

We discussed possible signals before we started, but ended up having plenty of momentum and diversity to quickly forget them. I was admittedly a little rusty from lack of recent fretboard time, but Aaron and Noah were sharp and versatile and it seemed we quickly found and explored a common love of what I'll try to describe as "tweaky odd-time groove mutation" -- where a group locks in on a repeating syncopated line and then each player in harmony gradually pushes the rhythm and angles further and further away from the path of least resistance (see 15:30 or 36:30), while simultaneously maintaining a consistent and well-defined meter. The level of attention required for this type of playing almost by necessity becomes exhausted from time to time, and so we would break down (probably a welcome breath for the listeners as well) into a wide range of more spacious and conventionally-rhythmic movements as well. I'm already looking forward to next time with these guys. (Oh yeah, and the "lyrics" that creep in from time to time during this set were from the back-page-classified-ads from the Stranger.)

Second set, we were joined by the always melodic, energetic, and inspiring Chris Powers (Acoustic Guitar), briefly by a percussionist who I don't believe I'd met before, and eventually by Daniel Nelon, whose smooth and modally innovative vocal work carried us to the end of the set and decorated a sweetly-harmonized "last call" right before the final bell. Daniel is always a great addition, but after the brief taste of 'what-could-be' here, we agreed to bring him back for more of the show on a day when I've got more lyrical creativity and we can really explore the chorus-harmonies! I'm looking forward to that too. :) ...and also to any listener or player comments on this post or on your experience of the show or recordings. Please add them here in the comments section!