Set 1 56 megs
Set 2 24 megs
This was Woody's last show of the Summer before he heads back to CA for the school-year. We had thought we were going to have TQ on guitar again this week as well, so Dennis was 'all-percussion' instead of his usual strings/percussion mix. As it turned out, instead of our usual 3-or-4 treble-guitars, it was just Woody. But let me tell you, if anybody can play with enough energy and versatility to make up for 2 extra guitarists, it's Woody! And indeed he did. With his single guitar playing a key role in outlining a wide range of diverse styles and syncopations for each movement, it was an inspired and fitting end to our all-too-brief Summer run with him. We'll definitely be looking forward to seeing Woody again whenever he's back in town next!
Dennis had decided to (for the evening) trade in his strings for an impressive spread of hand-percussion that just about filled the entire abandoned drum-riser. It seemed that no one -- except possibly Dennis himself -- was hearing enough of him at the time, but on the recording his supremely tasteful grooves and pinpoint-targeted soundscape additions come through pretty clearly and really bring some tang to the sauce.
I'd been eager for my next chance to play with Paul, but had been waiting for a non-chai-house show, in light of our common Juggler's Challenge difficulty with volume-balance and Paul being one of the hardest-hitting drummers in the city. But in running into him at the previous show, it was suddenly clear that we needed to try it. Mercifully, he brought a range of lighter drum-whackers, allowing his precise, intricate, dynamic-driving magic to transform the JCR format. I now greatly look forward to rotating him into the band more regularly!
It was fantastic to have Adrian back again as well, soundscaping just below the threshold of perception with mostly just house-mic input and hacked fx-loops as only he can! (I even caught him playing percussion on the table-legs towards the end of the night. :)
I played Trumpet again! ...and it was much less embarrassing this time. I think I'll do it some more.
At this point, I think I should mention that it's hard to imagine even pulling these shows off these days without Donovan on the bass. I guess -- since the format tends to shift happily to accommodate whoever's there -- we'd manage, but Donovan brings it all: rock-solid, bone-shifting grooves (across a diverse range of feels!) that never fail to either trigger or seamlessly integrate a new thread or concept. Somehow he manages to "fill" us towards a new chord or through a turnaround at just the perfect point in the lyrical structure every time. It often feels like he's already memorized the chart for the song that we're supposedly making up on the spot, but I suspect he's just a really good listener.
Okay, that's it for me on this one. Please add your own thoughts and observations here in the comments!
3 comments:
great leads, super bass playing, fantastic...umm...whatever that instrument is...and great vocals and trumpet... Speaking of, it sounded so cool you should bring that on friday and maybe some extra percussion things. It's be great to have more brass!!!
these wednesday night things are so much fun, they are my highlights.
Thanks man! :))
Yikes, I'd be scared to play with another actual horn-player with the trumpet yet...but who knows...maybe I'll get fool-hardy. In any case, I'm definitely looking forward to coming out and jamming on Friday!
(re-signed-in as freelab)
Hey, I forgot to write in the show-notes there: As you can hear, in the recordings, both sets just seem to jump right in, with the band already going full bore. I remember this happening for the second set. I forgot to start the recording until we'd already been playing for 5 minutes or so (much like what you hear in the first couple minutes of the recording here...but a bit more epic with the extra 5 minutes of funk :). But I really don't remember starting the recording late for the first set. Perhaps what seemed like random warmup noodling to me in my "stuffing-food-in-my-face-while-setting-up" mode was actually a fully-developed groove that I couldn't clearly perceive at the time.
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