
R2_LookinForAGirl (14 megs): Lots of tools built during this get-together, but my bass tone was so tiny and distant that most of the recording is a bit harsh ... that is until this clip from the end of the night where I drastically re-adjusted my sound and we did one last series of movements. (may still post some other condensed clips eventually)

R4Awarmup (6 megs)
R4BamoreKeytastrophe (23 megs)
R4Csalsaritaville (53 megs)
Here's the material from April's get-together, featuring the first-time addition of Abraham Neuwelt on percussion. It just keeps getting better! The grooves are consistently strong (and interesting!!) here, and get even stronger in the third clip, where I begin to focus more on bass. At the time, I thought the second clip -- in spite of some solid playing by the others -- was mostly crap (It seemed the solidity and interest of my bass grooves were suffering as I tried to join TQ with my right hand in the upper melodo-harmonic area of the mix). But in listening back with my ear on the full mix, even the second clip is full of good moments -- even after my keyboard gets stuck in 'dual'-mode and loses all "bass". It's nice to have Jesse alternating back and forth between the djembe and the piano here! Maybe he could bring his keyboard out to shows? It feels like we just need to reach that critical 6+ person mass and we can start playing out! (I know I said I was going to edit these down to hide the process and remove the rough-spots, but I'm really low on time at the moment, so these are unedited.)
R5_1 (25 megs)
R5_2 (56 megs)
Finally, 'Critical Mass' achieved!! :)) We had a couple of cancellations and *still* managed to make it to 6. Great density, momentum, and groove. Further innovations to be integrated into the tools, but mostly, this was the meeting that proved to me that we're ready to play some shows.
Just realized I hadn't been listing who was playing with me on these until the R4 session (though the metadata on the files will have the last names) ... think I'll continue to avoid outing everyone here for now, but hopefully it'll become clear enough soon when we find a live venue for this stuff.
(iPod-touch doodles courtesy of my long bus-commute to work)
1 comment:
where did the picture come from?
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